Tuesday, August 1, 2017

The Greenbrier Ghost in Soule Chapel Methodist Cemetery

“Most mothers are
instinctive philosophers.”
~ Harriet Beecher Stowe

In 2016, I was planning a trip to Eureka Springs with my mother and wanted us to have a ghostly excursion on the first day of driving. Zona and her mother’s story seemed like the exact type of journey a mother and daughter should take on a ghostly vacation. Plus, the cemetery is a little over three hours from my home and right off Interstate 64 in Greenbrier, West Virginia. It seemed like the perfect place to stop, give a wink to our vacation, and pay our respects to the Heaster family.

Mom and I visited both the cemetery and the historical marker.We left flowers for Zona and it appears that others do as well since there were already flowers placed on her grave. I actually forgot to snap a picture of our flowers and took pictures before placing them. I'm noting this because I'm a bit of an artificial-flowers-on-graves snob. :-/ Sorry!

Zona Heaster met a man named Edward Stribbling Trout Shue who had moved to Greenbrier County, West Virginia to work as a blacksmith. The two fell in love and married, even though Zona’s mother Mary Jane Heaster objected.

On January 23, 1897, Zona's body was found lying at the foot of the stairs, stretched out with her feet together and one hand on her stomach. The local doctor and coroner, George W. Knapp was summoned and arrived within an hour. Yet, by that time, Shue had already carried his Zona’s body upstairs to the bedroom. He had washed and dressed her for burial, something unusual for the time since it was customary for the women of the community to do this, not the husband. Zona was wearing a high-necked dress with a stiff collar. Shue had placed a veil over her face and remained by her side while Knapp examined the body. Each time that Knapp moved closer to Zona’s body, Shue would begin cradling his wife's head and sobbing. Knapp was only able to give a brief examination and noted that there were some bruising on the neck.

Zona's cause of death was listed as "everlasting faint” which was later changed to "childbirth". Knapp had been treating Zona for "female trouble" shortly before her death, but there was no documented pregnancy before her death.

Shue kept a vigil at the head of the open coffin which had been laid out in the Heaster’s house. His behavior was suspicious since he would grieve and them show great liveliness. Shue wouldn’t allow anyone close to the coffin. He rolled a sheet up and tucked it by Zona’s head explaining that this would help her rest. He also tied a large scarf around her neck noting that it had been Zona’s favorite.

As Zona’s body was being taken to the cemetery, some noticed that was an odd looseness to her head.

Zona’s mother, Mary Jane Heaster, was convinced that her son-in-law had murdered his wife. Sshe removed the sheet from inside the coffin and when she noticed a stain and washed it, the water ran red. Mrs. Heaster began to pray.

Zona was buried in the local cemetery now known as the Soule Chapel Methodist Cemetery. This wasn’t the easiest place to find. The Find a Grave website did not have the typical gps locations, nor did it have the address listed. Mostly when I searched about the story, I was directed to the historical marker but I’ll get to that in a minute. When I finally found the directions, this became our excursion on the way to the 1886 Crescent Hotel.  We made our way to the cemetery by following several narrow, winding roads. One road was one lane and since we were going straight up a hill, I had to honk to make sure that we didn’t collide with another vehicle. Interestingly enough, we did not see any other vehicles on any of the roads heading to the cemetery. It’s that out of the way.

After her death, Zona appeared to her mother in a dream and stated that Shue was a cruel man who abused her. He had attacked her and broke her neck. Some legends note that to prove this the ghost turned its head around until it was facing backwards.

Mrs. Heaster went to the prosecutor, John Alfred Preston, and convinced him to reopen the case of her daughter's death. Preston sent deputies to interview Dr. Knapp who explained that he had been unable to complete a thorough examination of the body. The statement was sufficient justification for an autopsy, and Zona’s body was exhumed and examined on February 22, 1897 in the local one-room schoolhouse. 

The autopsy showed that Zona's neck had indeed been broken. The report was published on March 9, 1897 and read, "The discovery was made that the neck was broken and the windpipe mashed. On the throat were the marks of fingers indicating that she had been choked. The neck was dislocated between the first and second vertebrae. The ligaments were torn and ruptured. The windpipe had been crushed at a point in front of the neck." Shue was arrested and charged with the murder of his wife.

The trial began in June and Zona’s mother was their main witness. Preston tried to avoid the ghostly sightings but Shue's lawyer focused on this during cross-examination. The judge found it difficult to instruct the jury to disregard the story of the ghost, and many people in the community seemed to believe it. Consequently, Shue was found guilty of murder and sentenced to life in prison.

The state of West Virginia has erected a state historical marker on Route 60, a few miles away from the cemetery.

The cemetery is out in the middle of some serious rural country! The graveyard is old and quite uneven. I worried about my mother walking but she seemed more annoyed by the hot sun beating down on us and having left her hat in the car. 

The grass was maintained but many of the stones were in need of repair, including Zona’s mother’s gravestone which was broken and propped up. Zona’s grave is near the middle of the graveyard toward the back. It appears to be a large, newer marker. 

The story of the Greenbrier Ghost has been adapted to the stage. Jan Buttram's play Zona (1998) and Cathey Sawyer and Joe Buttram’s The Greenbrier Ghost (2003).

Monday, July 31, 2017

Shockoe Hill Cemetery



Shockoe Hill Cemetery is a beautiful place to visit that would take a visitor anywhere from an hour to stroll through, or days if one is engaged with the history there. Of course, if you are really engaged, it will take you a lifetime of research. There is a rich military history along with some of the Who’s Who of old Richmond. There are also several connections to Virginia writer, Edgar A. Poe.

The cemetery is fortunate because The Friends of Shockoe Hill Cemetery is an active and engaged organization. They host military marker dedications after raising money to add grave markers to military graves, organize clean-up days, and offer free Sunday cemetery tours. 

For those who are interested in touring, the dates are listed on their Friends website as September 18th, 2PM; October 2nd and 16th, 2PM with the instructions to “meet at the keeper's house.” 

They do good work; and, they’re a friendly group of people if you are ever interested in visiting or volunteering.
 
Today I want to spotlight Shockoe Hill Cemetery because once again the Friends organization is trying to raise money for another individual interred in Shockoe Hill Cemetery. I have to admit that this one is a bit puzzling for me because the University of Richmond, a private college known for alumni philanthropy, has one of its founders buried in an unmarked grave.  

From the Shockoe Hill Cemetery Facebook page:

Reverend Henry Keeling was a prominent Virginia cleric and a founding father of the University of Richmond. Sadly, Keeling's grave in the Keeling family plot at Shockoe Hill Cemetery is unmarked.

The Friends of Shockoe Hill Cemetery would like to mark the Rev. Keeling's grave, and $700 is needed for this project. To donate to this project, in full or in part, contact Clayton Shepherd (cshepherd@shockoehillcemetery.org). All gifts are tax deductible. For more information, see shockoehillcemetery.org/

More information about Keeling can be found in his Find a Grave memorial by FoSHC board member Jeffry Burden. oday we remember the Reverend Henry Keeling.
Born 26 December 1794, Keeling was a prominent Virginia cleric and a founding father of the University of Richmond. Sadly, Keeling's grave in the Keeling family plot at Shockoe Hill Cemetery is unmarked. He is buried near his wife and his son Robert, who was killed in action near Richmond in 1862 while serving as an officer in the 12th Alabama Infantry.

The Friends of Shockoe Hill Cemetery would like to mark the Rev. Keeling's grave, and $700 is needed for this project. To donate to this project, in full or in part, contact Clayton Shepherd (cshepherd@shockoehillcemetery.org). All gifts are tax deductible.
More information about Keeling can be found in his Find a Grave memorial by FoSHC board member Jeffry Burden.




 


For Women Everywhere & Grace Sherwood




The USA Today post, “Witchy fashion is 2017's most exciting, subversive trend” has been going around social media. The article shares one of the fall trends with a focus on the “witch style” while noting that there are “many archetypes of the modern witch” which include "goth witches in black maxi dresses and capes”… yay! Capes are always good but they have been around in mainstream fashion for the last few years. 




The article pointed to a few other descriptions with one being the “mall witches in anime buns….” Are anime buns the same as Princess Leia buns? If so, I’ve been rocking them for weeks because it has been over 100 degrees every day in Virginia and because, up until yesterday when my Gremlin Spike finally scared me, I have been parting down the middle to try to distract folks from noticing my grey roots.

I don’t follow fashion trends so much but I do like being aware if this season I will be able to find lace and velvet in the mainstream shops. Recently, I bought a long, floor-length dress and a kimono-style garment, which isn’t something that I have ever wanted to wear before (mostly because they have little form and I’m a busty girl that needs some structure!).

And, as the article notes at the very end:

"…once you begin to awaken your inner witch, it also becomes clear that blindly following trends or copying what some celebrity is wearing is just another way of suppressing our own authentic self-expression."


*Witches* have been on my mind recently. Last week, my Babushka (my best friend/ more-like sister) and I had an excursion to Virginia Beach and then to Colonial Williamsburg to see the performance “Cry Witch.” We made a day of it by going to the Grace Sherwood statue and then attending the performance.

When you think witch trials in this country, you rarely think of the Commonwealth but it has its own history of witchcraft cases.

As I wrote in last year’s blog post about scapegoats:  
Although most conquer up the Salem Witch trials when they consider colonial witchcraft, in 1626, Virginia was the first of the colonies to see a formal accusation of witchcraft of Joan Wright out of Surry County; and, in 1641, Virginia held the first trial with Mrs. George Barker out of Norfolk.



Two cases, to me, are particularly interesting. The first is with Katherine Grady who is considered the only person who was ever executed for witchcraft in Virginia. Even with convictions, Virginia officials were always hesitant about executing anyone convicted of witchcraft (perhaps one tiny aspect of Virginia history that isn’t so problematic). Ms. Grady’s case is particularly troubling because she had never even set foot on Virginia soil. Instead, she was traveling on a ship headed for the new colony from England when a fierce storm had the passengers seeking a scapegoat. For whatever reason, the elderly Grady became that woman and she was hung at sea. Because Virginia was the ship’s destination, the murder was under the Virginia colony’s jurisdiction and the captain had to report this when the ship arrived in Jamestown.

 
The second case came in 1698 when Grace Sherwood, who was considered a bit eccentric for the times, had rumors spread that she practiced witchcraft. Sherwood was a healer, an herbalist and a midwife who allegedly “wore men’s trousers when planting crops” (Strock). Later, she was accused of bewitching pigs and destroying crops. She was also accused of “riding” a neighbor before escaping through a keyhole.

 
After several other allegations, Sherwood had formal charges against her in 1706. She was searched for the marks of the witch. Although none were found, she was ordered to a water ducking trial. Basically, if her body floated to the surface she was guilty; and, if her body sunk being accepted by nature, she was proven innocent. She survived and thus was proven guilty of witchcraft. She was imprisoned for 8 years and then released to live out the remainder of her life.


Just ten years ago, in 2006, former Governor Tim Kaine (who is now running for the office of Vice President for my international friends) exonerated Sherwood on the 300th anniversary of her trial.

Colonial Williamsburg’s “Cry Witch” performance goes through the case of Grace Sherwood. During the trial, the Colonial lawyers point out what was acceptable in court trials of that time, including dreams as damning evidence. In the end, the audience gets to make the ruling. It was a close-call while we were there but the group still found Sherwood guilty of witchcraft.

I don’t believe that focusing on witches is a new trend. Last winter, I attended the performance “The Peculiar Case of Jane Wentworth: A Witch Trial Based on Historical Texts” at Agecroft Hall; and, then later my fella and I attended the Colonial Williamsburg for the “Curse of the Sea Witch” event. There is resonance in our political climate. In my course on vampires, I repeatedly say, “It’s never about the monster.” This emphasis on witches, eccentric or simply working women who spoke up for themselves, isn’t actually about witches. Let’s be honest; this is about women.
Selfie with the actress who played Grace Sherwood




Works Cited
"A Tale of Witchcraft at Hertford Theatre." Hertfordshire Mercury. Hertfordshire Mercury, 07 June 2012. Web. 06 Oct. 2016.
Bond, Edward L. "Source of Knowledge, Source of Power: The Supernatural World of English Virginia, 1607–1624." The Virginia Magazine of History and Biography 108, no. 2 (2000): 105–138.
Burgess, Maureen Rush. The Cup of Ruin and Desolation: Seventeenth-century Witchcraft in the Chesapeake. Ph.D. Dissertation. U of Hawaii, 2004. Print.
"History." Agecroft Hall. Agecroft Hall, n.d. www.agecrofthall.com/ Web. 06 Oct. 2016.
Klein, Christopher. "Before Salem, the First American Witch Hunt." History.com. A&E Television Networks, 2012. www.history.com. Web. 06 Oct. 2016.
Miller, Kate. The Last Witch. directed by Richard Syms; produced by Pins & Feathers Productions; performed at Hertford Theatre and at Walkern Hall, Herts. 2012.
Ross, Jessica, and Jessica Hann. "Behind the Scenes: The Making of a Sea Witch." Making History: Inspiration for the Modern Revolutionary. Colonial Williamsburg, 22 Sept. 2016. Web. 06 Oct. 2016.
Strock, Anna. "These 14 Real Life Witches Show the 'Wicked' Side of Virginia's History." Only In Virginia. OnlyInYourState, 13 Dec. 2015. Web. 06 Oct. 2016.
Witkowski, Monica C. "Witchcraft in Colonial Virginia." Encyclopedia Virginia. Virginia Foundation for the Humanities, 30 May. 2014. Web. 4 Oct. 2016.
Woodall, Janet. "Jane Wenham: The Witch of Walkern." Walkern History Society. N.p., 24 Nov. 2011. www.walkernhistorysociety.co.uk/. Web. 06 Oct. 2016.